Tuesday, May 14, 2013

Electronic Keyboards - Their Background and Development

The word "electronic keyboard" describes any instrument that creates seem through the pressing or striking of secrets, and uses electricity, in some manner, to facilitate the development of that seem. Using a digital keyboard to create music follows an unavoidable transformative line from the initial musical keyboard instruments, the pipe organ, clavichord, and harpsichord. The pipe organ may be the earliest of those, initially produced by the Romans within the 3rd century B.C., and known as the hydraulis. The hydraulis created seem by forcing air through reed pipes, and was powered by way of a manual water pump or perhaps a natural water source like a waterfall.

From it's first manifestation in the italian capital before the 14th century, the organ continued to be the only real keyboard instrument. It frequently didn't have a keyboard whatsoever, rather utilizing large levers or buttons which were operated using the whole hands.

The following appearance from the clavichord and harpsichord within the 1300's was faster through the standardization from the 12-tone keyboard of whitened natural secrets and black sharp/flat secrets found in most keyboard instruments nowadays. The recognition from the clavichord and harpsichord was eventually surpassed through the development and common adoption from the piano within the 1700s. The piano would be a revolutionary advancement in acoustic musical keyboards just because a pianist could vary the amount (or dynamics) from the seem the instrument created by different the pressure that each key was struck.

The emergence of electronic seem technology within the 1700s was the following essential part of the introduction of the current electronic keyboard. The very first electrified guitar was regarded as the Denis d'or (built by Vaclav Prokop Dovis), dating from about 1753. It was shortly then the "clavecin electrique" introduced by Jean Baptiste Thillaie p Laborde around 1760. The previous instrument comprised well over 700 strings temporarily electrified to boost their sonic characteristics. The later would be a keyboard instrument featuring plectra, or picks, which were triggered electric.

While being electrified, neither the Denis d'or or even the clavecin used electricity like a seem source. In 1876, Elisha Grey invented this kind of instrument known as the "musical telegraph.," that was, basically, the initial analog electronic synthesizer. Grey learned that he could control seem from the self-vibrating electromagnetic circuit, and thus invented a fundamental single note oscillator. His musical telegraph produced sounds in the electromagnetic oscillation of steel reeds and sent on them a mobile phone line. Gray continued to include an easy loudspeaker into his later models which comprised of the diaphragm vibrating inside a magnetic area, making a dark tone oscillator audible.

Lee P Forrest, the self-styled "Father Of Radio," was the following major cause of the introduction of the electronic keyboard. In 1906 he invented the triode electronic valve or "audion valve." The audion valve was the very first thermionic valve or "vacuum tube," and P Forrest built the very first vacuum tube instrument, the "Audion Piano," in 1915. The vacuum tube grew to become an extremely important component of electronic instruments for the following half a century before the emergence and common adoption of transistor technology.

The decade from the 1920's introduced an abundance of new electronic instruments to the scene such as the Theremin, the Ondes Martenot, and also the Trautonium.

The following major breakthrough within the good reputation for electronic keyboards arrived 1935 with the development of the Hammond Organ. The Hammond was the very first electronic instrument able to creating polyphonic sounds, and continued to be so before the invention from the Chamberlin Music Maker, and also the Mellotron within the late 1940's and early 50's. The Chamberlin and also the Mellotron were the very first ever sample-playback keyboards meant for making music.

The electronic piano made it's first appearance within the 1940's using the "Pre-Piano" by Rhodes (later Fender Rhodes). It was a 3 . 5 octave instrument produced from 1946 until 1948 that came outfitted with self-amplification. In 1955 the Wurlitzer Company first showed their first electric piano, "The 100."

An upswing of music keyboards within the 1960's gave a effective push towards the evolution from the electronic musical keyboards we've today. The very first keyboards were very large, unwieldy machines used only in recording galleries. The technological developments and proliferation of miniaturized solid condition components soon permitted producing keyboards which were self-contained, portable instruments able to be utilized in live performances.

This started in 1964 when Bob Moog created his "Moog Synthesizer." Missing a keyboard, the Moog Synthesizer wasn't truly a digital keyboard. Then, in 1970, Moog first showed his "Minimoog," a non-modular synthesizer having a built-in keyboard, which instrument further standardized the style of electronic musical keyboards.

Most early analog keyboards, like the Minimoog and also the Roland SH-100, were monophonic, able to creating just one tone at any given time. A couple of, like the EML 101, ARP Journey, and also the Moog Sonic Six, could produce two different tones at the same time when two secrets were pressed. True polyphony (producing multiple synchronised tones which permit the playing of guitar chords) was just accessible, in the beginning, using electronic organ designs. There have been numerous electronic keyboards created which combined organ circuits with synthesizer processing. These incorporated Moog's Polymoog, Opus 3, and also the ARP Omni.

By 1976, additional design developments had permitted the look of polyphonic keyboards like the Oberheim Four-Voice, and also the Yamaha series CS-50, CS-60, and CS-80. The very first truly practical polyphonic synth, introduced in 1977, was the Consecutive Circuits Prophet-5. This instrument was the first one to make use of a microprocessor like a controller, as well as permitted all knob configurations to become held in computer memory and remembered simply by pushing a control button. The Prophet-5's design soon grew to become the brand new standard within the electronic keyboards industry.

The adoption of Musical Instrumental Digital Interface (MIDI) because the standard for digital code transmission (permitting electronic keyboards to become connected into computer systems along with other products for input and programming), and also the ongoing digital technological revolution have created tremendous developments in most facets of electronic keyboard design, construction, function, seem quality, and price. Present day manufactures, for example Casio, Yamaha, Korg, Rolland, and Kurzweil, are actually creating a good amount of well-built, lightweight, versatile, great sounding, and affordable electronic keyboard instruments and can continue doing very well in to the expected future.

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